Taijiquan (T'ai Chi Ch'aun)
Intro:
One of the three orthodox "internal" styles of Chinese martial art (the other
two being Xingyiquan and Baguazhang). The term "Taiji" refers to the ancient Chinese
cosmological concept of the interplay between two opposite yet complementary forces
(Yin and Yang) as being the foundation of creation. "Quan" literaly means "fist"
and denotes an unarmed method of combat. Taijiquan as a martial art is based on
the principle of the soft overcoming the hard.
Origin:
Chenjiagou, Wen County, Henan Province, China.
History:
The origins of Taijiquan are often attributed to one Zhang Sanfeng (a Taoist
of either the 12th or 15th century depending on the source) who created the art
after witnessing a fight between a snake and a crane. These stories were popularized
in the early part of this century and were the result of misinformation and the
desire to connect the art with a more famous and ancient personage. All of the
various styles of Taijiquan which are in existence today can be traced back to
a single man, Chen Wangding, a general of the latter years of the Ming Dynasty.
After the fall of the Ming and the establishment of the Qing Dynasty (1644), Chen
Wangding returned to the Chen village and created his forms of boxing. Originally
containing up to seven forms, only two forms of Chen Style Taijiquan have survived
into the present.
The Art was only taught to members of the Chen clan until a promising young outsider
named Yang Luzhan was accepted as a student in the early part of the 19th century.
Yang Luzhan (nicknamed "Yang without enemy" as he was reportedly a peerless fighter)
modified the original Chen style and created the Yang style of Taijiquan, the
most popular form practiced in the world today. Wu Yuxiang learned the Art from
Yang Luzhan and a variation of the original Chen form from Chen Jingbing (who
taught the "small frame" version of Chen Taijiquan) and created the Wu style.
A man named Hao Weizhen learned the Wu style from Wu Yuxiang's nephew and taught
the style to Sun Ludang, who in turn created the Sun style (Sun was already an
established master of Xingyiquan and Baguazhang when he learned Taijiquan. He
combined his knowledge of the other arts when creating his style). Yang Luzhan
had another student, a Manchu named Chuan You (or Quan You), who in turned taught
the Art to his son, Wu Jianchuan (or Jianquan). Wu Jianchuan popularized his variation
of the Yang style, which is commonly refered to as the Wu Jianchuan (or Jianquan)
style. In recent times (this century) there have been many other variations and
modificationsof the Art, but all may be traced back through the above masters
to the original Chen family form.
Description:
Complete Taijiquan arts include basic exercises, stance keeping (Zhanzhuang),
repetitive single movement training, linked form training, power training (exercises
which train the ability to issue energy in a ballistic pulse), weapons training
(which includes straight sword, broadsword, staff and spear), and various two-person
exercises and drills (including "push-hands" sensitivity drills). A hallmark of
most styles of Taijiquan is that the movements in the forms are done quite slowly,
with one posture flowing into the next without interruption. Some forms (the old
Chen forms for example) alternate between slow motion and explosive movements.
Other styles divide the training into forms which are done slowly at an even tempo
and separate forms which are performed at a more vigorous pace. The goal of moving
slowly is to insure correct attention is paid to proper body mechanics and the
maintenance of the prerequisite relaxation.
Training:
Training exercises can be divided into two broad categories: solo exercises,
and drills which require a partner. A beginner will usually begin training with
very basic exercises designed to teach proper structural alignment and correct
methods of moving the body, shifting the weight, stepping, etc. All of the Taijiquan
arts have at their very foundation the necessity of complete physical relaxation
and the idea that the intent leads and controls the motion of the body. The student
will also be taught various stance keeping postures which serve as basic exercises
in alignment and relaxation as well as a kind of mind calming standing meditation.
A basic tenet of all "internal" martial arts is that correct motion is born of
absolute stillness. Once the basics are understood, the student will progress
to learning the formal patterns of movement ("forms") which contain the specific
movement patterns and techniques inherent in the style.
Traditionally, single patterns of movement were learned and repeated over and
over until mastered, only then was the next pattern taught. Once the student had
mastered an entire sequence of movements individually, the movements were taught
in a linked sequence (a "form"). The goal of training is to cultivate a kind of
"whole body" power. This refers to the ability to generate power with the entire
body, making full use of one's whole body mass in every movement. Power is always
generated from "the bottom up," meaning the powerful muscles of the legs and hips
serve as the seat of power. Using the strength of the relatively weaker arms and
upper body is not emphasized. The entire body is held in a state of dynamic relaxation
which allows the power of the whole body to flow out of the hands and into the
opponent without obstruction.
The Taijiquan arts have a variety of two person drills and exercises designed
to cultivate a high degree of sensitivity in the practitioner. Using brute force
or opposing anothers power with power directly is strictly discouraged. The goal
of two person training is to develop sensitivty to the point that one may avoid
the opponent's power and apply one's own whole body power wher the opponent is
most vulnerable. One must cultivate the ability to "stick" to the opponent, smothering
the others' power and destroying their balance. Finally, the formal combat techniques
must be trained until they become a reflexive reaction.
Modified forms of Taijiquan for health have become popular worldwide in recent
times because the benefits of training have been found to be very conducive to
calming the mind, relaxing the body, relieving stress, and improving one's health
in general.
Modern vs. Traditional training methods
Traditionally, a beginning student of Taijiquan was first required to practice
stance keeping in a few basic postures. After the basic body alignments had settled
in, the student would progress to performing single movements from the form. These
were performed repetitively on a line. After a sufficient degree of mastery had
been obtained in the single movements, the student was taught to link the movements
together in the familiar long form. Now, it is not uncommon for a student to be
taught the long form immediately, with no time being spent on stance keeping or
on basic movement exercises. Since the Long Form trains all of the qualities developed
in the basic exercises, this does not really produce a dilution of resulting martial
art. It does however make it more difficult for beginner to learn. The duration
of the basic training depends on the student and the instructor; however, it would
not be unusual for a relatively talented student, with good instruction, to be
able to defend themselves effectively with Taiji after as little as a year of
training.
Sub-Styles:
Chen Wangding's original form of Chen style Taijiquan is often refered to as
the "Old Frame" (Laojia) and its second form as "Cannon Fist" (Paochui). In the
latter part of the 18th century, a fifth generation decendant of Chen Wangding,
Chen Youben simplified the original forms into sets which have come to be known
as the "New Style" (Xinjia). Chen Youben's nephew, Chen Jingbing, created a variation
of the New Style which is known as the "Small Frame" (Xiaojia) or "Zhaobao" form.
All of these styles have survived to the present.
The Yang style of Taijiquan is a variation of the original Chen style. The forms
which were passed down from the Yang style founder, Yang Luzhan have undergone
many modifications since his time. Yang Luzhan's sons were very proficient martial
artists and each, in turn, modified their father's art. The most commonly seen
variation of the form found today comes from the version taught by Yang Luzhan's
grandson, Yang Zhengfu. It was Yang Zhengfu who first popularized his family's
Art and taught it openly. Yang Zhengfu's form is characterizes by open and extended
postures. Most of the modern variations of the Yang style, as well as the standardized
Mainland Chinese versions of Taijiquan are based on his variation of the Yang
form.
Yang Luzhan's student, Wu Yuxiang combined Yang's form with the Zhaobao form which
he learned from Chen Jingping to create the Wu style. This style features higher
stances and compact, circular movements. His nephew's student, Hao Weizhen was
a famous practitioner of the style, so the style is sometimes refered to as the
Hao Style. Hao Weizhen taught his style to Sun Ludang, who combined his knowledge
of Xingyiquan and Baguazhang to create his own
Yang Luzhan had another student named Zhuan You (or Juan You), who in turn taught
the style to his son Wu Jianchuan (or Jianquan). This modification of the Yang
style is usually refered to as the Wu Jianchuan (or Jianquan) style. This form's
movements are smaller and the stance is higher than the popular Yang style.
In summary, the major styles of traditional Taijiquan are the:
- Chen
- Yang
- Wu
- Wu Jianchuan (or Jianquan)
- and Sun
All other "styles" are variations of the above.
Non-martial Taiji variants.
There are modified forms of Taiji which are devoted mostly to health enhancement
and relaxation. The movements retain the flavor of Taijiquan, but are often simplified.
(Contributors: William Breazeal, Michael Robinson, Simon Ryan/Peter
Wakeham)
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